This morning Adam forwarded me these images of Esther, who is the wonderful Grandmother that we were invited to write to as part of Adam Mosers project “We wouldn’t trade those years” at RAYGUN in January. These images show Esther replying to the letters that… Read More
SarahRyan’s exhibition ‘Two worlds, one of them being ideal’ was a great success on Friday night. The lenticular works were incredible and the catalogue which was included with the show was wonderful called ‘The Clearing’, which can be viewed on Sarah’s website. Thanks Sarah. x
Tarn Sarah and I installed the ‘Two worlds, one of them being ideal’ yesterday afternoon!! It looks amazing, I am so excited to share it! Tonight kicks off at 6PM, then we’ll mosy on to MADE from 7ish, and then to OLIVE BRANCH for… Read More
Sarah Ryan at RAYGUN in February. 1. As a practicing artist what are the issues\concerns you have beenconsistently addressing within your artwork?I guess, my greatest fascination and most consistent concern has been with ‘looking’ and ‘seeing’. I’m really interested in slowing down the process of… Read More
Adam Mosers project ” We Wouldn’t Trade Those Years” opened last night at RAYGUN. The show was developed follwing an exchange Adam had with his Grandma where in which she told stories surrounding photographs that were taken during her Son ( Adam’s Uncle) Eddies visit… Read More
This artist talk is well worth a watch.
Thanks to everyone who came down to MITCH ON CHINA, it was a great night, Mitch spoke about his photographs and Bart Thrupp played, which was awesome. If you somehow missed it (shock horror) check out the video for Mitch’s explanation of the work.
‘Unknown Pleasures’ featuing the work of Hannah Roche Opened on Saturday night. The Show Curated by Dan Elborne was a huge success, bringing a great crowd, with interesting people, great discussion of the work and an awesome vibe. Also. Check out this wobbly half sideways… Read More
In false joy, OK YEAH COOL GREAT investigate the effect of aesthetic treatments when they are applied to pre-existing images. Using geometric blocks of colours and translucent overlays, the images are no longer photographically referential, but are instead controlled by the applied aesthetic interruption.… Read More
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