For more than 20 years, Pascal Dombis has been using computers and algorithms to produce excessive repetition of simple processes. He exploits the paradoxical coexistence of orderly control and chaotic aleatory forces to produce unpredictable, unstable and dynamic visual forms which he synthesizes into digital wall drawings, lenticular pieces or video installations. Through an abuse of technological processes, Pascal Dombis tries to confront the human viewer with ‘his/her’ own primitive irrationality.
RAYGUN 